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The "isolation" of a Hebridean island did not necessarily suit Margaret's temperament and this ensured a steady stream of visitors to Canna House to receive hospitality of a rare and memorable kind - "to enjoy the island and its peace" (in Margaret's words) and to savour her piano playing with equal ease from the classical traditions of Europe and the modal magic of Gaelic.As a lifelong devotee and carer of cats, she noted that they liked Bach but left the room with Bartók.The book was richly illustrated with photographs by Shaw, showing her hosts and neighbours going about their everyday lives and the images also demonstrating her regard for them and a strong empathy with Gaelic in the Hebrides. Another student of Gaelic language and tradition, the Oxford-educated John Lorne Campbell, met Margaret in Lochboisdale in 1934 and they were married in Glasgow the following year.On a recent visit to South Uist to participate in the opening of an exhibition at Kildonan, she was greeted with: " A Mhairead, thàinig sibh dhachaigh! They made their home at Northbay in Barra in a small corrugated-iron house with Margaret's Steinway grand piano.The material collected in those years was later published in the meticulously edited Folksongs and Folklore of South Uist (1955), with subsequent editions in 1977, 1986 and, in paperback, in 1999.The book comprises songs in significant cultural variety - songs in praise of Uist, love songs, laments and songs of exile, lullabies, songs for dancing (the popular puirt-a-bial or "mouth-music"), milking songs, spinning songs, waulking songs, clapping songs and quern songs - with traditional material including stories, anecdotes, prayers, proverbs, cures, charms and recipes, all vivid testimony to the amount and variety in the culture of a single community in the early 20th century, and, in Margaret Fay Shaw's treatment of it, a unique and sympathetic insight into a world that has largely disappeared.Campbell was studying crofting agriculture and Scottish Gaelic and shared there in the company of Compton Mackenzie and his Barra "Bloomsbury" set.
Her extraordinary contribution to scholarship was recognised with honorary degrees from St Francis Xavier University, Nova Scotia, the National University of Ireland and Aberdeen and Edinburgh universities.Come visit Rite Aid Glenshaw at 1710 Mount Royal Blvd to see how With Us, It’s Personal.Margaret Fay Shaw, musicologist, photographer and writer: born Glenshaw, Pennsylvania 9 November 1903; married 1935 John Lorne Campbell (died 1996); died Fort William, Inverness-shire 11 December 2004.Margaret Fay Shaw was a woman of rare qualities and achievements as the distinguished collector and editor of Scottish Gaelic song and important traditional material, writer, and photographer and recorder of the way of life of the Scottish Hebrides.She was born at Glenshaw, near Pittsburgh in Pennsylvania, in 1903, the fifth and youngest of the children of Henry Clay Shaw and his wife Fanny Maria Patchin, of a New England family from Old Bonnington, Vermont.